This blog is composed of images and writings related to the life and work of Faith Ringgold, her mother Mme. Willi Posey, and her daughters Michele and Barbara Wallace. There are pages with links to blogs composed of the materials arranged by decades. The blog, itself, will ultimately be composed of materials related to the life of the family in the 90s and the 21st century.
Showing posts with label Barbara Wallace. Show all posts
Showing posts with label Barbara Wallace. Show all posts
Sunday
Photo Collection: Barbara when she was sleek and fit
1981 in the little house I rented in New Haven. Barbara is 28 I think since it is Christmas apparently. Photo taken by I am not sure whom. Perhaps it was me with Barbara's camera. She lived with me in New Haven briefly.
Tuesday
Photo-Essay: Michele on The Terrace in 1978
Terrace09, originally uploaded by olympia2x. Photograph by Barbara Wallace. All rights reserved. Michele Wallace Collection.
It was a lovely little apartment, a studio with a kitchen, a bathroom and a rather extensive dressing room with shelves and closets with shutters that I particularly liked. All parket floors. I could have remained in the apartment well after having left the employ of NYU but foolishly sublet the apartment to a real clown when I moved to New Haven and he simply walked away from it without paying the rent, without telling anyone. When I discovered what had happened, I had already been evicted. It was all I could do to pay the outstanding rent and achieve financial closure so that debt would not be hanging over my head. I lived at WSquare Village for about 3 years and there were many adventures, many parties, quite a few romances, about which the less said, the better.
Monday
Photo Essay: Coming To Jones Road

This is myself and Barbara standing before one of the key images of Coming to Jones Road, a theme extensively represented in the exhibition. Mom did the series Coming to Jones Road to commemorate the awful difficulty she had in getting to build the studio she wanted on the Jones Road property she purchased in 1992. Her white neighbors banded together and hired a lawyer to try to prevent her from completing her plan of adding a studio to her acre large property on the hill in Englewood, New Jersey. The subsequent struggle, which did not result in the building and modifications of the property until 1999, inspired her to return to the issue of how black people had escaped slavery--sometimes leaving in large groups and taking back roads to their destination and freedom.
New Jersey continued to have slavery right up until the end of the Civil War but much of it was rural and it probably always had pockets of resistance and refuge for slaves who had escaped the South. Sometimes this is called the Underground Railroad, which became all the more a necessity as the Supreme Court upheld Fugitive Slave Laws and the awful Dred Scott decision, whereupon fleeing slaves might stop briefly in a remote location and then continue on toward Canada where they might be free. In Coming to Jones Road, Mom has explored ad infinitum the theme of resistance with your feet headed toward freedom in a rural America.
Englewood is really no longer a rural idyll although sometimes it can look like one. There are lots of places that are still almost wild.
Sunday
Photo Collection: My Photo Sets on Flickr and Zenfolio
Zenfolio Collection
Flickr Collection
I am including here links to the family photos collections I have uploaded onto Flickr and Zenfolio for reference. All of these photos are limited in their use by the copyright of Faith Ringgold. They are currently available at these addresses on Flickr for research and/or genealogical investigation, primarily not in large formats.
Flickr Collection
I am including here links to the family photos collections I have uploaded onto Flickr and Zenfolio for reference. All of these photos are limited in their use by the copyright of Faith Ringgold. They are currently available at these addresses on Flickr for research and/or genealogical investigation, primarily not in large formats.
We have many more but this is a healthy group made up of photos from the teens through the 90s of myself, my sister, my Aunt, my mother, dad and grandmother Mme. Willi Posey, as well as some reproductions of the art of Faith Ringgold.
Wednesday
Photo-Essay: The Judson 3 and The 1970s
Jean Toche,Faith Ringgold and Jon Hendricks
The Judson 3 in front of the Federal Court Building. Feb 16, 1971. Photo by Jan Van Raay.It is difficult for me to imagine that anyone who knows our family could be unaware of the events surrounding the Judson 3. It became so crucial to who we would become as a unit, what the future would hold, particularly after MJ's death. In any case, MJ never participated in events like this and did not approve of Faith's arrest. MJ was somebody who thought that being a mother over-ruled all other activity on the planet for women. It may have been that Barbara and I were brought along on mother's protest activities as much because she needed to keep an eye on us as for any political perspectives or inclinations of our own. Protests with Art Worker's Coalition and Lucy Lippard and the Judson 3 formed our family outings, and some of the times that I can remember we were happiest together.
In 1970, a People's Flag Show was given by a Committee of artists at the Judson Memorial Church on Washington Square Park. The show included all kinds of artists all of them lampooning the notion of the American flag as a sacred symbol. John Hendricks and John Toche, who formed the Guerrilla Art Action Theatre and the Belgian Government in Exile, were also involved with Faith in the planning of the Flag Show.
There was a poster that was designed by Faith and made to commemorate and advertise the show. I wrote the words on the poster as a representative of WSABAL (Women Students and Artists for Black Art Liberation), which Faith and I had founded a black feminist art activist group. The show opened. Faith, John Hendricks and Jon Toche were arrested by the District Attorney's office for desecration of the flag and the show was forced to close. Thier case was known as that of the Judson 3.
The pictures assembled here are by the photographer Jan Van Raay of various events linked to the case: protests outside the court house, benefits to raise money for the Civil Liberty's Union which took the case, and an evening during the show itself. My sister Barbara and I are in several of the ones I have chosen to reproduce here. There are many more Judson 3 photos and photos of other art world activism at the time at Jan Van Raay's photostream on Flickr, which can be found at http://www.flickr.com/people/janvanraay.
Labels:
Barbara Wallace,
Faith Ringgold,
Judson 3,
Michele Wallace,
Photo Essay,
the 70s
Photo Collection: Mom and Barbara with Judson 3
Mom in mink hat and coat by MJ. Barbara in sunglasses behind her. Photo by Jan Van Raay.
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Friends of Soul Pictures
Michele Wallace
Labels
- Faith Ringgold (42)
- Photo Essay (35)
- Willi Posey (33)
- Michele Wallace (29)
- Photo Collection (23)
- Change Quilt (16)
- Art by Faith Ringgold (12)
- Chronologies and Documents (11)
- Critical Essay (10)
- Barbara Knight (9)
- Burdette Ringgold (9)
- the 50s (9)
- Faith Wallace-Gadsden (8)
- Florida (7)
- the 70s (7)
- B.B. Posey (6)
- Barbara Wallace (6)
- the 60s (6)
- the 80s (6)
- the 40s (5)
- Anne Porter (4)
- Earl Wallace (4)
- Fashion (4)
- Ida Matilda Posey (4)
- New Lincoln School (4)
- Sonny Rollins (4)
- Black Macho and The Myth of the Superwoman (3)
- Camp Craigmeade (3)
- Susan Shannon (3)
- The French Collection (3)
- Theodora Grant (3)
- 19th century (2)
- Andrew Jones (2)
- Betsy Bingham (2)
- Declaration of Independence (2)
- Helen Meade (2)
- Invisibility Blues (2)
- Judson 3 (2)
- Theodora Wallace-Orr (2)
- Thomas Morrison (2)
- Who's Afraid of Aunt Jemima (2)
- the 30s (2)
- Cardoza Posey (1)
- Dark Designs and Visual Culture (1)
- Die (1)
- For The Women's House (1)
- Gene Nesmith (1)
- Ida Mae Bingham (1)
- Interviews (1)
- Inventories (1)
- Jacksonville (1)
- Joan Ashley (1)
- Kate Raphael (1)
- Letter from a Birmingham Jail (1)
- Lisa Yee (1)
- Michael Jackson (1)
- P.S. 186 (1)
- Pablo Picasso (1)
- The Mona Lisa Interview (1)
- U.S. Postage Stamp of Commemorating Black Power (1)
- Yvonne Mullings (1)
Michele Wallace: Talking in Pictures
My Publications--Michele Wallace
- Black Macho and The Myth of the Superwoman, New Edition, Verso Books 1990
- Black Macho and The Myth of the Superwoman, The Dial Press 1979
- Black Popular Culture, New Press 1991
- Dark Designs and Visual Culture, Duke UP 2004
- Invisibility Blues: From Pop to Theory and Back Again, Verso Books 2008
- Invisibility Blues: From Pop To Theory, Verso Books 1999
My Publications--Selected Articles
- "The French Collection: Momma Jones, Mommy Faye and Me," Dancing at the Louvre: Faith Ringgold French Collection and Other Story Quilts. University of California 1995.
- Faith Ringold and The Anyone Can Fly Foundation in Barbara Hoffman, ed., A Visual Artist's Guide to Estate Planning, 2008 Update
- Oscar Micheaux and His Circle, 2001 African-American Filmmaking and Race Cinema of the Silent Era Essay by Michele Wallace on "Within Our Gates and Oscar Micheaux"
- The Mona Lisa Interview with Faith Ringgold by Michele Wallace
- The Georgia O'Keeffe Museum Research Center presents Museums of Tomorrow: An Internet Conference, 10-05-2003
- The Georgia O'Keefe Museum Research Center presents The Modern/Postmodern Dialectic: An Online Symposium, American Art and Culture, 1965-2000
- Passing, Lynching and Jim Crow: A Genealogy of Race and Gender in U.S. Visual Culture, 1895-1929, Dissertation in Cinema Studies, New York University, UMI, May 1999