The picture which provides the opening image for this blog is of my family, my mother and father and my Aunt Barbara on the eve of Aunt Barbara's wedding. It is a party taking place in my grandmother's livingroom at 363 Edgecombe Avenue in Harlem in 1950. I am not yet born or even considered. My parents are not yet married. They will elope and marry later in the same year.
After this lovely wedding, in which Aunt Barbara married Jo-Jo, the man who is kneeling in the picture, they will live together with Momma Jones and my Mom Faith in this same small appartment. Faith says now the reason she decided to marry Earl was to avoid the crowd at the house, principally composed of Aunt Barbara and Jo-Jo. Aunt Barbara, Mom says, would strut around in her slip on hot days while Mom was forced to be fully clothed from the first thing in the morning to the last thing at night because Jo-Jo was there.
I can imagine that the party wore pretty thin after awhile.
So Mom and Earl eloped also in 1950, timing it to coincide with Momma T (Earl's mother) getting married to someone I called "Chiefie," or "Sarge," whom I thought of as one of my four grandfathers and going off to the Air Force post in Guam as his wife.
It was a series of endless weddings, triggering one another like falling dominoes. Weddings have potentially tragic consequences. They are major events, one of the few ways to completely change the trajectory of whatever your life might have been without them.
As it turned out, Jo-Jo, who had been the cause of all this dislocation, was already married to somebody else. One day, Jo-Jo's real wife appeared at the door. Aunt Barbara and Jo-Jo's marriage was subsequently annulled.
A few years laters, my mother and Earl had married, and my sister and I were born, and my Mom left my Dad and took us to live with Momma Jones at 363 Edgecombe Avenue. Mother's marriage would be annulled as well on the grounds that she had not realized that he was addicted to heroine. In those days, it was not so easy to sever a marriage.
This seemingly happy-go-lucky photograph continues to wreak of tears and sadness to me. And yet I love it still. Soul Pictures. Such is the spirit in which this blog, which I hope one day will be a book, is constituted.
This blog is composed of images and writings related to the life and work of Faith Ringgold, her mother Mme. Willi Posey, and her daughters Michele and Barbara Wallace. There are pages with links to blogs composed of the materials arranged by decades. The blog, itself, will ultimately be composed of materials related to the life of the family in the 90s and the 21st century.
Saturday
Subscribe to:
Posts (Atom)
Pages
Friends of Soul Pictures
Michele Wallace
Labels
- Faith Ringgold (42)
- Photo Essay (35)
- Willi Posey (33)
- Michele Wallace (29)
- Photo Collection (23)
- Change Quilt (16)
- Art by Faith Ringgold (12)
- Chronologies and Documents (11)
- Critical Essay (10)
- Barbara Knight (9)
- Burdette Ringgold (9)
- the 50s (9)
- Faith Wallace-Gadsden (8)
- Florida (7)
- the 70s (7)
- B.B. Posey (6)
- Barbara Wallace (6)
- the 60s (6)
- the 80s (6)
- the 40s (5)
- Anne Porter (4)
- Earl Wallace (4)
- Fashion (4)
- Ida Matilda Posey (4)
- New Lincoln School (4)
- Sonny Rollins (4)
- Black Macho and The Myth of the Superwoman (3)
- Camp Craigmeade (3)
- Susan Shannon (3)
- The French Collection (3)
- Theodora Grant (3)
- 19th century (2)
- Andrew Jones (2)
- Betsy Bingham (2)
- Declaration of Independence (2)
- Helen Meade (2)
- Invisibility Blues (2)
- Judson 3 (2)
- Theodora Wallace-Orr (2)
- Thomas Morrison (2)
- Who's Afraid of Aunt Jemima (2)
- the 30s (2)
- Cardoza Posey (1)
- Dark Designs and Visual Culture (1)
- Die (1)
- For The Women's House (1)
- Gene Nesmith (1)
- Ida Mae Bingham (1)
- Interviews (1)
- Inventories (1)
- Jacksonville (1)
- Joan Ashley (1)
- Kate Raphael (1)
- Letter from a Birmingham Jail (1)
- Lisa Yee (1)
- Michael Jackson (1)
- P.S. 186 (1)
- Pablo Picasso (1)
- The Mona Lisa Interview (1)
- U.S. Postage Stamp of Commemorating Black Power (1)
- Yvonne Mullings (1)
My Publications--Michele Wallace
- Black Macho and The Myth of the Superwoman, New Edition, Verso Books 1990
- Black Macho and The Myth of the Superwoman, The Dial Press 1979
- Black Popular Culture, New Press 1991
- Dark Designs and Visual Culture, Duke UP 2004
- Invisibility Blues: From Pop to Theory and Back Again, Verso Books 2008
- Invisibility Blues: From Pop To Theory, Verso Books 1999
My Publications--Selected Articles
- "The French Collection: Momma Jones, Mommy Faye and Me," Dancing at the Louvre: Faith Ringgold French Collection and Other Story Quilts. University of California 1995.
- Faith Ringold and The Anyone Can Fly Foundation in Barbara Hoffman, ed., A Visual Artist's Guide to Estate Planning, 2008 Update
- Oscar Micheaux and His Circle, 2001 African-American Filmmaking and Race Cinema of the Silent Era Essay by Michele Wallace on "Within Our Gates and Oscar Micheaux"
- The Mona Lisa Interview with Faith Ringgold by Michele Wallace
- The Georgia O'Keeffe Museum Research Center presents Museums of Tomorrow: An Internet Conference, 10-05-2003
- The Georgia O'Keefe Museum Research Center presents The Modern/Postmodern Dialectic: An Online Symposium, American Art and Culture, 1965-2000
- Passing, Lynching and Jim Crow: A Genealogy of Race and Gender in U.S. Visual Culture, 1895-1929, Dissertation in Cinema Studies, New York University, UMI, May 1999