This blog is composed of images and writings related to the life and work of Faith Ringgold, her mother Mme. Willi Posey, and her daughters Michele and Barbara Wallace. There are pages with links to blogs composed of the materials arranged by decades. The blog, itself, will ultimately be composed of materials related to the life of the family in the 90s and the 21st century.
Wednesday
Photo Collection: Baby Michele 1950s
This picture of Aunt Barbara represents very much the way she was, somebody who confronted the camera, who was there to meet it. She adored me from my birth, she had told me endless times. In 1952 on Edgecombe Avenue in Harlem, what a beautiful baby I was with a beautiful aunt. Beauty was a pretty big thing for Aunt Barbara and God had blessed her with great beauty for much of her life. Here she is, somehow, very much as I remember her from the 50s. And me as the fat faced, big headed baby, alert and alive to the attentions of these beautiful women. This may have been the day upon which I was christened at Abyssinian Baptist Church with Mr. Morrison as my godfather and Aunt Doris as my godmother. Momma T had come from Guam in particular to see me. Everybody know a man's child, my mother reports she said upon seeing me. My mother was only 22 and already in need of a divorce from her musician husband, Earl Wallace, 25 years old.
Labels:
Barbara Knight,
Michele Wallace,
Photo Collection
Pages
Michele Wallace
Labels
- Faith Ringgold (40)
- Photo Essay (35)
- Willi Posey (34)
- Michele Wallace (28)
- Photo Collection (26)
- Art by Faith Ringgold (14)
- Change Quilt (14)
- Chronologies and Documents (12)
- Critical Essay (12)
- Barbara Knight (9)
- the 50s (9)
- Burdette Ringgold (8)
- Faith Wallace-Gadsden (7)
- Florida (7)
- the 70s (7)
- B.B. Posey (6)
- Barbara Wallace (6)
- the 60s (6)
- the 80s (6)
- the 40s (5)
- Anne Porter (4)
- Earl Wallace (4)
- Fashion (4)
- Ida Matilda Posey (4)
- Sonny Rollins (4)
- The French Collection (4)
- Camp Craigmeade (3)
- Susan Shannon (3)
- The Mona Lisa Interview (3)
- Theodora Grant (3)
- Who's Afraid of Aunt Jemima (3)
- 19th century (2)
- Andrew Jones (2)
- Betsy Bingham (2)
- Black Macho and The Myth of the Superwoman (2)
- Declaration of Independence (2)
- Helen Meade (2)
- Invisibility Blues (2)
- Judson 3 (2)
- New Lincoln School (2)
- Theodora Wallace-Orr (2)
- Thomas Morrison (2)
- the 30s (2)
- Anyone Can Fly Foundation (1)
- Art of Faith Ringgold (1)
- Cardoza Posey (1)
- Dark Designs and Visual Culture (1)
- For The Women's House (1)
- Gene Nesmith (1)
- Ida Mae Bingham (1)
- Interviews (1)
- Inventories (1)
- Jacksonville (1)
- Letter from a Birmingham Jail (1)
- Lisa Yee (1)
- P.S. 186 (1)
- Palatka (1)
- Photo Colllection (1)
- Photo-Essay (1)
- Soul Pictures (1)
- Yvonne Mullings (1)
Post Archive
My Publications--Michele Wallace
- Black Macho and The Myth of the Superwoman, New Edition, Verso Books 1990
- Black Macho and The Myth of the Superwoman, The Dial Press 1979
- Black Popular Culture, New Press 1991
- Dark Designs and Visual Culture, Duke UP 2004
- Invisibility Blues: From Pop to Theory and Back Again, Verso Books 2008
- Invisibility Blues: From Pop To Theory, Verso Books 1999
My Publications--Selected Articles
- "The French Collection: Momma Jones, Mommy Faye and Me," Dancing at the Louvre: Faith Ringgold French Collection and Other Story Quilts. University of California 1995.
- Faith Ringold and The Anyone Can Fly Foundation in Barbara Hoffman, ed., A Visual Artist's Guide to Estate Planning, 2008 Update
- Oscar Micheaux and His Circle, 2001 African-American Filmmaking and Race Cinema of the Silent Era Essay by Michele Wallace on "Within Our Gates and Oscar Micheaux"
- The Mona Lisa Interview with Faith Ringgold by Michele Wallace
- The Georgia O'Keeffe Museum Research Center presents Museums of Tomorrow: An Internet Conference, 10-05-2003
- The Georgia O'Keefe Museum Research Center presents The Modern/Postmodern Dialectic: An Online Symposium, American Art and Culture, 1965-2000
- Passing, Lynching and Jim Crow: A Genealogy of Race and Gender in U.S. Visual Culture, 1895-1929, Dissertation in Cinema Studies, New York University, UMI, May 1999
