Why am I doing this project on my Ancestors, which I call Soul Pictures? It is important to say.
Is it to prove to my mother that I love her?
No, because that would be impossible.
To prove to myself that I love her?
That would be unnecessary.
Is it to prove to others that I love her?
Well, that might be nice but it would be, I think, without substance or meaning. In other words, to prove something, anything to "them" is to prove nothing.
Is it to prove that I loved Momma Jones, or my other female ancestors?
Is it to make sure that the story gets told as it should be told?
That could not be.
To make sure that the story gets told as I wish it to be told?
To make it a story to stand in equality with other family stories or other stories of mythic proportions?
This would be nice, of course, but no longer of crucial importance to me.
And so, knowing what I already know about the pictures, the narratives, the interviews, the documents and their intrinsically incomplete nature, then I can accept the tenuous nature of the conditions of my work, and I can accept finally whatever I am able to do in the time I have left?
The importance of this work for me lies in its connection to the continuity of my life, from my youth through the end of my life, how I make sense of my life in connection with other lives through the past, the present and most importantly, the future-- or that which cannot be known in advance.
It is important to leave something, to make sense of the past, and to leave some indications of how it once made sense. The choice of the future may be ultimately to use it in ways not anticipated by me.
But I am entirely opening myself to that possibility. The future will use, exploit, eviscerate, appropriate the past, which is currently my present, I hope. I sincerely hope.
I sincerely hope there will be something left of us. I worry about that because we live in such a violent world. What becomes of these internet universes when everything is being blown up?
I think a lot of us have the sense that the internet can survive the physical destruction of our cities, of even our planet but how would that work? Although the web seems ephemeral, in fact, it is not, is it?
Writing about life is a good thing, in and of itself, and separates us (in a productive way, I think) from the animals who have no language, and therefore no historical narrative.
And that is that.
This blog is composed of images and writings related to the life and work of Faith Ringgold, her mother Mme. Willi Posey, and her daughters Michele and Barbara Wallace. There are pages with links to blogs composed of the materials arranged by decades. The blog, itself, will ultimately be composed of materials related to the life of the family in the 90s and the 21st century.
Ancestor Project--Why and What
- Faith Ringgold (46)
- Photo Essay (35)
- Michele Wallace (33)
- Willi Posey (33)
- Photo Collection (25)
- Change Quilt (16)
- Art by Faith Ringgold (14)
- Chronologies and Documents (11)
- Critical Essay (11)
- Barbara Knight (9)
- Burdette Ringgold (9)
- the 50s (9)
- Faith Wallace-Gadsden (8)
- Florida (7)
- the 70s (7)
- B.B. Posey (6)
- Barbara Wallace (6)
- the 60s (6)
- the 80s (6)
- the 40s (5)
- Anne Porter (4)
- Earl Wallace (4)
- Fashion (4)
- Ida Matilda Posey (4)
- New Lincoln School (4)
- Sonny Rollins (4)
- The French Collection (4)
- Black Macho and The Myth of the Superwoman (3)
- Camp Craigmeade (3)
- Susan Shannon (3)
- The Mona Lisa Interview (3)
- Theodora Grant (3)
- 19th century (2)
- Andrew Jones (2)
- Betsy Bingham (2)
- Declaration of Independence (2)
- Helen Meade (2)
- Invisibility Blues (2)
- Judson 3 (2)
- Theodora Wallace-Orr (2)
- Thomas Morrison (2)
- Who's Afraid of Aunt Jemima (2)
- the 30s (2)
- Anyone Can Fly Foundation (1)
- Bessie Smith (1)
- Black Visual Culture (1)
- Cardoza Posey (1)
- Dark Designs and Visual Culture (1)
- Die (1)
- Edmonia Lewis (1)
- Elizabeth Catlett (1)
- For The Women's House (1)
- Frederick Douglass (1)
- Gene Nesmith (1)
- Harriet Tubman (1)
- Ida Mae Bingham (1)
- Interviews (1)
- Inventories (1)
- Jacksonville (1)
- Joan Ashley (1)
- Josephine Baker (1)
- Judith Wilson (1)
- Kate Raphael (1)
- Letter from a Birmingham Jail (1)
- Lisa Yee (1)
- Malcolm X (1)
- Martin Luther King (1)
- Memoirs (1)
- Michael Jackson (1)
- Mojo Okediji (1)
- P.S. 186 (1)
- Pablo Picasso (1)
- Sojourner Truth (1)
- The American Collection (1)
- U.S. Postage Stamp of Commemorating Black Power (1)
- University of African Art (1)
- Yvonne Mullings (1)
- ► 2012 (7)
- ► 2010 (14)
- ► August (14)
- ► July (18)
- ► May (11)
- ► July (23)
My Publications--Michele Wallace
- Black Macho and The Myth of the Superwoman, New Edition, Verso Books 1990
- Black Macho and The Myth of the Superwoman, The Dial Press 1979
- Black Popular Culture, New Press 1991
- Dark Designs and Visual Culture, Duke UP 2004
- Invisibility Blues: From Pop to Theory and Back Again, Verso Books 2008
- Invisibility Blues: From Pop To Theory, Verso Books 1999
My Publications--Selected Articles
- "The French Collection: Momma Jones, Mommy Faye and Me," Dancing at the Louvre: Faith Ringgold French Collection and Other Story Quilts. University of California 1995.
- Faith Ringold and The Anyone Can Fly Foundation in Barbara Hoffman, ed., A Visual Artist's Guide to Estate Planning, 2008 Update
- Oscar Micheaux and His Circle, 2001 African-American Filmmaking and Race Cinema of the Silent Era Essay by Michele Wallace on "Within Our Gates and Oscar Micheaux"
- The Mona Lisa Interview with Faith Ringgold by Michele Wallace
- The Georgia O'Keeffe Museum Research Center presents Museums of Tomorrow: An Internet Conference, 10-05-2003
- The Georgia O'Keefe Museum Research Center presents The Modern/Postmodern Dialectic: An Online Symposium, American Art and Culture, 1965-2000
- Passing, Lynching and Jim Crow: A Genealogy of Race and Gender in U.S. Visual Culture, 1895-1929, Dissertation in Cinema Studies, New York University, UMI, May 1999